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Text
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Illustrations
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Pedagogical Uses/Notes
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Call #
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Speed, John.
The Historie of Great Britaine under the Conquests of the Romans, Saxons,
Danes, and Normans. London, 1623
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(1) family tree (including Cuthbert)
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- 17th-century visual culture
- Illustration of royal family tree, as a means to depict and explain relationships
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942 Sp 32 h
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Rheede, Henrick.
Hortus Indicus Malabaricus. Amsterdam, 1678
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- Coconuts
- Solitary Fishtail Palm
- Papaya
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- 17th-century visual culture
- The pedagogical purposes of illustration
- Illustration and the visual appeal of the exotic
- Illustration providing information regarding botany, details of plant life
in different phases of growth, flowering
- Illustration providing information regarding early exploration, especially
of India, Burma (powers of observation, objects being sought, observed)
- Text providing information regarding early medicine, search for cures
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QK358 . R42
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Diderot, Denis.
L’Encyclopedie; Recueil de Planches sur les Sciences. Les Arts Liberaux
at les Arts Mechaniques, avec leur explication.
Paris, 1762
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- Plan for a Garden
- Silkworms and domestic harvesting of silk
- Beehives and domestic harve
sting of honey
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- 18th-century visual culture
- The pedagogical uses of illustration (especially here, given the volume
of plates is to complement the main text) – to teach garden design, silk
and honey production
- Illustration and aesthetics
- Illustration of the process of commodity production (note modes, how temporal
sequence is shown)
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AE25 . E53
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The Tyburn Chronicle, Or Villany Display’d (Vol. III), London,
1768
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- Villains whipping a man to death
- Villains breaking into the Custom House
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- 18th-century visual culture
- Illustration as ideology, in depictions of criminal behavior
- Illustration as marketing, sensationalism
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KD370 .79 v.3
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Sonnerat, Pierre.
Voyages Aux Indes Orientales et la Chine
. Paris, 1782
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Danse des Bayaderes
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- 18th-century visual culture
- Illustration and the visual appeal of the exotic
- Illustration and the images/expectations of the behavior of other peoples
and cultures
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DS506 .S7 1782 t.1
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Boydell’s Graphic Illustrations of the Dramatic Works of Shakespeare. London,
1804
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Merry Wives of Windsor, Act II, Scene 1
As You Like It, Act IV, Scene 3
Twelfth Night, Act I, Scene 5
Macbeth, Act I, Scene 3
Henry IV, Part 2, Act IV, Scene 4
Julius Caesar, Act III, Scene 1
Romeo and Juliet , Act I, Scene 5, and
Act IV Scene 5 (two versions)
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- 19th-century visual culture
- Illustration as interpretation of text
- Choice of scenes –- what artists choose to depict, and why
- Illustration as marketing of artists and of Shakespeare (note that this
is a volume of engravings, taken from exhibits of paintings based on
Shakespeare’s works.
- Notes: the depiction of Rosalind and Viola cross dressed as men in
As You Like It and
Twelfth Night; of the three witches in
Macbeth; of Hal taking the crown in
Henry IV Part 2
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Dayton Coll. 822.33 77B 693 g
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The Northern Traveler. New York, 1828
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(1) frontispiece of Catskills Falls
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- 19th-century visual culture
- Illustration as marketing
- Representation of nature
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F 106 .N6 1828
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The Yellow Book
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- The Mysterious Rose Garden
- The Repentance of Mrs. ----
- Portrait of Miss Winifred Emery
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- Illustrations by Aubrey Beardsley
- Function of illustrations in anthology
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AP 4 .Y4
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Wilde, Oscar.
Salome
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(1) frontispiece
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- Compare two versions of the frontispiece and title, from the edition published
by John Lane at Bodley Head, and the edition by Three Sirens Press, noting
editing of the nudes
- Censorship
- Illustration and cultural expectations
- Illustration and marketing, audience
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Bacon Collection
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Cabell, James Branch.
Gallantry: An Eighteenth Century Dizain in Ten Comedies, with an Afterpiece.
New York , 1907
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(1) Howard Pyle illustration: “The Bastille in not a healthy place”
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- Early 20th-century visual culture
- Illustration as representation and interpretation of text
- Relationship between graphic and title
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PS 3505 .A153 G3 1907
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